Thursday, January 12, 2017

REPOST: Boom Crash Opera - These Are Crazy Times (1989)

(Australian 1985 - present) 
Originally a five-piece formed in Melbourne in 1985, Australian rock band Boom Crash Opera, like many bands before them, got their grounding from the pub rock circuit. The main guys in Boom Crash Opera had previously been in the band The Serious Young Insects. Their striking debut blended the muscular rock of "Listen Like Thieves" period of INXS with an almost English melodic richness not dissimilar to Tears for Fears. Power vocalist Dale Ryder was backed by trademark chant style vocals from the other band members, including group co-founders and writing partners guitarist/bassist Richard Pleasance and guitarist Peter Farnan (credited also as executive producers), alongside producer Alex Sadkin, who tragically died shortly after he finished working on the band's 1987 self-titled debut.

Keyboardist Greg O'Connor and drummer Peter Maslen completed the bands first lineup. After five hit singles at home, including the number one "Great Wall," another single, "Her Charity," did well in getting them noticed in the States, as did "Onion Skin" (a Top Ten rock chart hit) and "Talk About It" from the band's second LP, 'These Here Are Crazy Times'.
However, the hand of fate that helped bands such as INXS, Icehouse, and Midnight Oil find success abroad eluded Boom Crash Opera, and many critics argue that they deserved wider acclaim and recognition. Further misfortune would occur upon the departure (due to tinnitus) of Pleasance, as well as wrangles with their label.

They finally settled on BMG for their next album, 'Fabulous Beast', which marked the debut of Pleasance's replacement, Ian Tilley. Many more singles were notched up in Australia, culminating in a 1998 best-of appropriately titled 'Best Things', after which O'Connor left.
Pleasance went on to produce other artists such as Deborah Conway (Do Re Mi) and Noiseworks' Jon Stevens; he also worked with Suzanne Vega and Elvis Costello. Two Pleasance solo albums, 'Galleon' and 'Colourblind', were issued by John Farnham's Gotham Records. [ Extract from Kelvin Hayes, All Music Guide ]
Album Review
From the opening percussive chaos of "Onion Skin" to the final reverberations of "Super Heroes", this album is a melodic and toe tapping treat. Some of the production is a bit shrill by today's standards, but there is just so much to like here. The butt swaying swing of "Dancing in the Storm" probably rivals the ecstacy laced joy of "The Best Thing" as best track on album, with "Get Out of the House" following closely for third place.
There is a reason why songs from 'These Here Are Crazy Times' dominate Boom Crash Opera's greatest hits album 'The Best Things' and that is quite simple, 1989 is when they topped the charts like never before and released their best songs.

Now, some of these songs do deserve to be left in the shadows. "Mountain Of Strength", for instance, is a dreadful tune, and while "Onion Skin" may be a fun little party number live, it wears very thin on the album within just a couple of listens. The album is much better off with such whimsical gimmickry skipped; "Where There's A Will" is a stronger place to begin a listen. And that leads me to the final point I want to make - there are plenty of solid songs here, perfectly enjoyable and satisfying to listen to; they are really just not on a par with "Dancing In The Storm". "Get Out Of The House", "The Best Thing" and "Talk About It" are however justification enough to venture into the shadows and give this LP a listen.
The rip was taken from CD and has been posted in both FLAC and MP3 (320kps) format for your pleasure. Also included is full album artwork and some choice photos of the band (mostly sourced from Boom Crash Opera's MySpace Page with thanks).
If you are interested in sourcing something different for Boom Crash Opera, then try the great megamix of their hits, put together by Tom Mix Oz Music

UPDATE: This album has been reposted with an improved format and now includes additional bonus tracks taken from a 12" single (thanks to Mustang for supplying the single)

Track Listing

01 - Onion Skin (3:28)

02 - Where There's A Will (3:59)

03 - The Best Thing (4:13)
04 - Piece Of The Pie (4:54)

05 - Forever (3:56)
06 - Get Out Of The House (3:18)
07 - Talk About It?! (4:02)
08 - End Up Where I Started (3:13)
09 - Dancing In The Storm (4:12)
10 - Mountain Of Strength (4:09)
11 - Axe To Grind (3:03)
12 - Super Heroes (4:43)

13 - Rocks Are In My Head (Bonus B-Side Single) (3:44)
14 - Onion Skin (Bonus Extended Mix) (5:06)
Band Members:
Dale Ryder (Lead Vocals)
Greg O'Connor (keyboards/guitar)
Peter Farnan (guitar/bass/keyboards/vocals)
Richard Pleasance (guitar/bass/vocals)
Peter 'Maz' Maslen (drums/vocals)
Boom Crash Opera MP3 Link (136Mb)

Boom Crash Opera FLAC Link (403Mb)


Monday, January 9, 2017

ACDC - Festival Hall Melbourne 1974-12-31 (FM broadcast) Bootleg

(Australian 1973-Present)
It was in September 1974 when the legend that was Bon Scott joined the then still wet behind the ears AC/DC, formed the year before by brothers Angus and Malcolm Young in Melbourne, Australia. Over the next five and a half years, Scott fronted the band and, in tandem with the Youngs, established the group as arguably the finest rock act in the world. Bon’s tragic passing in the early months of 1980 only served to strengthen AC/DC’s fan base and appeal and across the next 35 or so years (and counting!) with perennial new boy Brian Johnson having taken on Bon Scott’s role with both self-confidence and dignity, AC/DC have gone from strength to strength.

But the Bon Scott years remain those that most adherents of the group remember most fondly and it is with this in mind that one of his earliest shows with AC/DC is presented here.

The lead up to the Concert
In November 1974, Michael Browning, manager of the Hard Rock Cafe (Melbourne), became AC/DC's full time manager. Together they all moved into a house in Melbourne where there was apparent nightly debauchery. Nevertheless, though the band clearly knew how to party, especially with Bon now on board, they could also work hard and fast. Within ten days the group had recorded their first album, which they named High Voltage. This was undoubtedly influenced by the AC/DC name itself and was perhaps a discreet assertion that the name represented power and energy as opposed to sexual preferences. It also covered the base of the music, which was somewhat lo-fi, straight to the point good time rock n' roll with an added kick; the verve of youth and the unmistakable howl of Bon Scott.

George Young and Harry Vanda manned the controls behind the production desk whilst George played bass himself on some songs. Session musician Tony Currenti was enlisted to finish the drum parts as Peter Clack and John Proud had only played on one track each. The band now had a real record to stand behind and after a tour of South Australia finished the year off in style with a New Year's Eve gig at Festival Hall in Melbourne. By their own admission they would pretty much play in front of anyone, and often did. Every type of fan could be seen at an AC/DC show, from gays who assumed they were named for a different reason, to typical girl groupies and the standard male rockers - this was an act that could transcend boundaries. The High Voltage record was to set them well on their way down the road to glory. [extract from AC/DC - Two Sides To Every Glory, by Paul Stenning, Chrome Dreams Publishers, 2005. p49]

Thanks to heavy attention from the police, by the time AC/DC set up base in Melbourne the roaming hordes of Sharps had largely, though not entirely, died down; but a toughness of spirit and attitude in the city's audiences remained. Melbourne's character was what AC/DC were all about: Michael Browning was dead right.

Bon Scott showing his Scottish Heritage
Their reputation for high-energy performances preceded them thanks to a major New Year's Eve show at Melbourne's Festival Hall, and more notoriously, an incident at Prahran's Station Hotel, when Angus took exception to someone clearly unmoved by the band's performance.
Malcolm: 'Angus jumped out into the crowd and he ran up to this guy, grabbed his beer and poured it on his head. This guy had really fuzzy hair and it formed a puddle on top first and then slowly fucking rolled over his face. I thought, this guy's going to kill Angus! He didn't. He just sat there and took it. He felt so embarrassed. I thought at that time Angus had overdone it, but the place loved it. This guy that had the beer poured over his head became a bit of a cult hero!'

Browning's next move was to sign the band to a deal with agent Bill Joseph, who handled a number of major venues in Melbourne. A six-month contract with Joseph's Premier Artists agency provided each member with a wage of $60 a week, and covered the cost of their sound system and repairs to their tour bus, a huge beast of a thing formerly owned by Ansett Airlines.[extract from Ac/DC - Maximum Rock & Roll, by Murray Engleheart & Arnard Durieux, Harper Collins Publishers, 2006. p98]
The Concert
Festival Hall Melbourne 1974-12-31 FM Broadcast (Radio 2SM)
The date seems to be correct according to here.
Set list: 1. She's Got Balls 2. Soul Stripper 3. Show Business 4. Can I Sit Next to You Girl? 5. Baby Please Don't Go 
Event line up for the evening: AC/DC Kush Hush Debbie Byrne
AC/DC's Line up : Singer: Bon Scott Lead Guitar: Angus Young Rhythm Guitar: Malcolm Young Bass Guitar: Rob Bailey Drums: Peter Clack

It is so weird hearing the "Dave Evans" arrangement of Can I Sit Next To You Girl with Bon's voice.
Notice that Malcolm alternates solos with his Brother during Soul Stripper and Show Business. It also happened in their Launceston boot, but in this one (Melbourne) we can hear it more clearly. In the BBC boot (1976), we realize that Malcolm has already leaved his guitar solo roll.
Pretty weird drumming on the songs, but interesting to hear Mal and Angus trading solos on Soul Stripper, otherwise no great shakes.

This was the first AC/DC show where religious picketers were handing out pamphlets about the devil and rock music, and some people gave them a real hard time. Very brave in deed ! This is definitely a show for all AC/DC diehards to have in their collection.
This post consists of FLACs and MP3's (320kps) taken from a tape recording of the soundboard recording made by Radio 2SM and includes full album artwork made by DCE Bootleg Productions. Also released under the title of 'Down Under 74' (see left) and 'Soul Strippers' (see below). Sound quality is excellent!
Set List:
1. She's Got Balls
2. Soul Stripper
3. Show Business
4. Can I Sit Next to You Girl?
5. Baby Please Don't Go

Vocals: Bon Scott
Lead Guitar: Angus Young
Rhythm Guitar: Malcolm Young
Bass Guitar: Rob Bailey
Drums: Peter Clack

AC/DC Live At Festival Hall FLACs (150Mb)

AC/DC Live At Festival hall MP3's (24Mb)

Wednesday, January 4, 2017

The Stockings - Red Tango (1981) + Bonus Track

(Australian 1979 - '82)
Hailing from Australia's left coast, this Perth combo indulged in driving, albeit straitlaced power pop/wave without resorting to any obvious gimmicks, not unlike contemporary country-mates the Serious Young Insects.
This Perth New wave band started life in Early '79 as "Rip Torn & The Stockings". Rip Torn being singer Bernie Lynch who left in 1980 to form "Living Single" who then became Eurogliders.

"Street Talking" was on their 1979 debut 12" EP release on the Sweetcorn label, as well as a self-titled 12" EP on Rough Diamond the following year. Not sure if they're the same recording but this would be from the latter record. The band is possibly best known for featuring Bernie Lynch on lead vocals and writing credits for the first couple of years. The rhythm guitarist (Frank - not his real name) went on to play in the Chantoozies. Bernie Lynch wrote "Street Talking" and the Eurogliders used to perform it in their live sets back in the early days in Perth. Their drummer at the time was John Bennetts, who also ended up in the Eurogliders.

In Grace Knight's book 'Pink Suit for a Blue Day", she talks about meeting Bernie Lynch at a BBQ, where they hit off immediately. "He was absolutely charming, obviously well educated, well brought up and with a nose that stopped passers by....he was in a band called Rip Torn and the Stockings. In Perth back then it was very difficult to get gigs unless you performed covers of popular tunes, the audiences preferred to hear
music they knew, and so The Stockings would perform songs by Ian Dury and the Blockheads and Graeme Parker, along with some of Bernie's songs.[Chapter 5, New Holland Publishers, 2010] 

Members of The Stockings went on to form The Eurogliders, who had a string of power pop hits in the 80s and 90s, one of Perth’s biggest exports. The Stockings are much more in the tradition of down beat Australian pub rock, Australian Crawl, Mondo Rock and similar acts.

In 1981, The Stockings (now dropping Rip Torn from their name) released their debut album, Red Tango. The title track, which opens this thing up, is less than substantive, but once it passes, Red Tango is predominantly if not completely good news.
In addition to the aforementioned "(She's a) Devil," "Good Luck,""Boy Girl," and "Limbo" persuade me just as much.
(She's A ) Devil Single
I'm detecting negligible traces of XTC and Joe Jackson among others, but you might think differently.  An EP and some singles surrounded Red Tango, but it appears the album's track list overlaps heavily with no non-album B-Sides.
Note that James Black (from another Perth band - Rum Jungle) played keyboards on the album, while Wilbur Wilde (from OL'55) features on Sax.  David Briggs (Little River Band) also produced this debut album.
The group eventually disbanded in 1982 with band members finding musical interests elsewhere. 

Limbo EP
The Stocking Recordings
Stockings EP (5 track 12") - Dada Records MX 191725 (1980) with Bernie Lynch
She's A Devil / Tiny Voices 7" - The Stockings ( Astor Aust 1980 ) with Bernie Lynch
Good Luck / Make You Cry 7"- Rough Diamond RDS 3502 (1981)
Red Tango LP - Rough Diamond RDL 8801 (1981)
Limbo / Boy Girls 7" - Rough Diamond RDS 3508 (1982)
Limbo EP (5 track 12") - Rough Diamond RDM 8803 (1982)
This post consists of FLACs and MP3's (320kps) ripped from an almost mint copy of this rare early 80's album. Also included is full album artwork along with label scans, plus a bonus track "Street Talking" which was ripped from a Countdown performance(also included). If anyone has their first 12" EP and would love to hear from you, as I would love to be able to post this ultra rare EP as well (see pictured below). 
UPDATE: Thanks to the generosity of the blog follower 'Amacau' I am now able to make The Stockings hard to find, debut 12' E.P available for everyone. Thanks for the share mate.
Track Listing
01 - Red Tango
02 - Limbo
03 - This Girl That Girl
04 - Make You Cry
05 - Mercy Man
06 - Good Luck
07 - Boy Girls
08 - Tiny Voices
09 - Relief
10 - (She's A) Devil
11 - On My Knees
12- Street Talking (Bonus 12inch Single)

Band Members (1981):
Pierre Corsage AKA Frank Lee (Rythmn guitar, vocals)
Bob "Boris" Garter AKA Bob Fallovic (Lead guitar, vocals)
Lon Gerae (Bass, vocals)
John Johnson AKA Fred A'Snare AKA John Bennetts (Drums)
The Stockings FLACs (266Mb)
The Stockings MP3's (121Mb)

The Stockings 12' E.P  FLACs ( 118Mb)

Saturday, December 31, 2016

The Reels - 5 Great Gift Ideas From The Reels (1980)

(Australian 1976 - 1991, 2007 - Present)
The Reels formed in Dubbo in 1976, disbanded 1991, then reformed 2007. Initially the Reels apparently styled themselves in reaction to 'dark/heavy' fashion and made upbeat music with a ska-pop emphasis while adorned in bright moddish clothes. However, they became best known for their most melancholic and hauntingly bleak music. The mournful tale of alienation, Quasimodo's Dream (1981) was voted as a "Top 10 Australian song of all time" by the Australasian Performing Rights Association (APRA) in 2001. It has a cinematic gothic-styled story video - see it in the Youtube playlist below. The album of the same name was listed in a 2010 book as one of the top 40 Australian albums of all time. The Reels had top 10 success with covers of "This Guy's in Love With You" and their slowed down icy synth-based version of "Bad Moon Rising".

The Reels released the EP ‘Five Great Gift Ideas From The Reels’, just in time for the festive season, and in part because recording of their planned second album was turning into an epic. The EP featured, not surprisingly, five tracks, and aside from the jovially titled ‘The Bombs Dropped On Xmas’, the highlights were covers of the 1971 Freda Payne soul classic ‘Band Of Gold’, and the song which was identified as the ‘single’ release, ‘According To My Heart’, originally recorded by country crooner Jim Reeves in 1961. The song was about as far removed from a contemporary pop-rock hit as you could get, complete with Western motif promo video, but its inherent charms couldn’t deny The Reels their biggest hit to date (OZ#12), aided in no small part by an equally charming promo video, shot at the ranch of Australian country music legend Smokey Dawson (part of the medley B-side to The Reels 1980 single ‘After The News’ was ‘Media Themes For The Smokey Dawson Show’). Incidentally, ‘Five Great Gift Ideas From The Reels’ had been co-produced by Bruce Brown and Russell Dunlop.
The Reels: An Astonishing Facts Special
Although the Reels have been around for absolutely yonks, it's been ages since they've had a hit single. Now, Bad Moon Rising has changed all that but did you know....

- Singer Dave Mason was born David Lawrence Mason III on 1/9/1955 in Golburn, N.S.W. His father, John Mason was the leader of the New South Wales Liberal Party between 1978 and 1981.

- Up until recently Dave lived on a farm just outside of Newcastle. He now lives in Kings Cross with his dog Poopy (so named because when she was a pup she used to shit everywhere) and three cats, Mother, Mother baby and Kit

- Dave buys his clothes at OP shops because new ones are too expensive.

- Dave is a big fan of soap operas. His faves are, in order, Dallas (the ultimate), Prisoner, Falcon Crest and the Colbys (cos I like Barbara Stanwyck)  He doesn't like Dynasty, occasionally watches Day Of Our Lives and says that JR (Dallas) is his role model in life.

- Dave once sang a medley of the history of duets with sixties songstress Little Patti (Chrissie Amphlett's cousin) The reels were to record "Bad Moon Rising" as a duet with Nick Cave (gloomy Aussie singer) Dave still wants to make a record with him as well as a harmony album with Kate and Zan (of I'm Talking) and Sherine (from Big Pig, also Zan's sister)

- Dave thinks he'd probably come ten millionith in a list of the world's most fanciable men. "I'm not into that. That's what models are for. I'm a dog"

- If  'Bad Moon Rising" goes to number one on the charts Dave says that he'll send a thank you card to John Fogerty 9singer/songwriter of ancient hippies Creedence Clearwater Revival who had a number one hit with the song in 1969 and who is now a solo artist)

- The Reels once did a tour in Sydney called The Freak Show (named after the character in Prisoner) after it was announced that Prisoner had been axed. The Freak herself was supposed to go to one of the shows and sing with Dave but 'chickened out'. The Reels have long included a 'country and western pulls the heart strings' type version of the Prisoner theme song 'On The Inside' in their live set

- The Reels were going to release a version Marvin Gaye's "What's Going On" as their next single until they found that Cyndi Lauper had already released one.

- The Reels once recorded a heavy metal album that was never released. Says Dave "We employed heavy metal techniques and filtered them through synthesisers so we came out with this sound and's...unbelievable!  We'll release it one day when the world's ready for it".

- Dave wants to grow his hair so that when he's fifty "it'll be really long and grey". If he ever has it cut, he'll have a wig made out of his hair.

- Dave hates the idea of working out at a gym. "I don't want to be a muscleman, thanks very much, I'd rather be skinny and anaemic".
- The first concert that Dave ever went to was by the Ides Of Man in about 1962. Their singer Wally Morrison was a Dubbo cult hero and now works at a TV station in Newcastle. Their drummer is now with The Reels.

- The Reels launched their 'Kitchen Man' tour by cooking a meal for the press. In fact Dave is something of a dab hand in the kitchen himself. He whips up "a pretty mean hot broccoli salad" and "a mean chicken - fried chicken better than Kentucky!"

So folks, this is my final post for 2016 and it is My Great Gift Idea for all my blog followers. I hope you've enjoyed the many offerings that were on the table at ' rockonvinyl ' during the year, but be assured that I have plenty more to post in the new year and I look forward to seeing you all back in 2017. 
Remember to drop me a line or two in the comments, if you like what you hear or simply have a request or two, and I'll do my best to accommodate.
This post consists of  FLACs and MP3's (320 kps) ripped from my pristine vinyl and includes full album artwork and label scans.  Also included is a scan of the article from which the astonishing facts about The Reels were taken, but alas I am unsure which magazine it was sourced from due to my poor filing. My favourite track is of course "According To My Heart" while the other 4 tracks are equally entertaining.  Enjoy.
Track Listing
A1     You Got Soul   
A2     Neon Rainbow   
B1     The Bombs Dropped On Xmas   
B2     According To My Heart   
B3     Band Of Gold

Bass Guitar – Paul Abrahams
Drums, Idiophone [Wobble Board], Vocals – John Bliss
Keyboards, Artwork [Cover Art] – Karen Ansell
Synthesizer, Vocals – Polly
Vocals, Artwork [Cover Art] – Dave Mason
Synthesizer, Guitar – Craig Hooper

The Reels FLACs (93Mb)
The Reels MP3's (35Mb)

Tuesday, December 27, 2016

Gary Moore - Rockin' Every Night, Live In Japan (1986) + Bonus Tracks

(Irish 1969-2011)
'Rockin' Every Night - Live in Japan' is a live album recorded by Gary Moore at Tokyo's Shinjuku Kousei Nenkin Hall in 1983, during the 'Corridors of Power' tour. Despite being released in Japan in 1983, it was not given a European release until 1986. The 2002 CD reissue included the three live tracks recorded at the Marquee, from the bonus EP included with the first 25,000 vinyl copies of Corridors of Power.

'Corridors Of Power' was released in September 1982, and reached #30 in the UK album charts. A new touring band was put together to promote it. Don Airey had already toured and recorded with Moore for some years. Vocalist Jon Sloman (ex of Uriah Heep) had briefly participated with Neil Murray and John Sykes in Badlands, a band which lasted a mere two gigs before Sykes took up the offer of a place in Thin Lizzy and Murray decided to go full-time with Gary Moore.

The new line-up began gigging in November 1982 and were captured on the live album 'Rocking Every Night' issued only in Japan initially, and taped there in January / February 1983. It was released in the UK in 1986. Sloman packed it in around February time, having had voice problems throughout the tour, so from May 1983 the group were down to a foursome. [extract from]

Gary Moore Bio
Born in Belfast, Ireland, Moore began as a bluesy guitarist influenced chiefly by Fleetwood Mac's Peter Green (going as far as purchasing Green's actual Les Paul guitar, which served as Moore's main axe throughout the years). Moore first recorded with Dublin rockers Skid Row, before beginning an on-again/off-again relationship with Thin Lizzy throughout the Seventies. Moore's first Lizzy stint was short-lived, but yielded a memorable solo on the group's classic ballad, "Still in Love with You," from their 1974 album, Night Life. When Thin Lizzy opened for Queen during a 1977 U.S. arena tour, Moore (who was also playing with prog rockers Colosseum II) briefly filled in for Lizzy guitarist Brian Robertson.

By 1978, Moore was a full member of Thin Lizzy once more, performing on what's considered one of the group's finest studio albums, 1979's Black Rose: A Rock Legend, which debuted at #2 on the U.K. album charts. The album's epic closing track, "Róisín Dubh (Black Rose): A Rock Legend," contains one of Moore's greatest solos, in which he incorporated several traditional Irish song themes within a hard rock format. The same year, Moore scored his first solo U.K. top ten hit, "Parisienne Walkways," co-written by Lizzy frontman Phil Lynott. But Moore would exit Lizzy for the third and final time in the midst of a U.S. tour that summer.

In the Eighties Moore scored other hits, including the U.K. top 5 single/Lynott collaboration, "Out in the Fields" (one of Lynott's last recorded works before his 1986 death), and was name-checked by guitarists like Dio/Whitesnake/Def Leppard shredder Vivian Campbell. By the Nineties, Moore had returned to his blues roots, winning his biggest U.S. hit with the gold-certified album Still Got the Blues (which featured contributions from Albert King, Albert Collins, and George Harrison). Moore continued collaborating with others (including Cream's Jack Bruce; Ginger Baker, in the short-lived BBM in 1994; and B.B. King, on tour in 2006) and issuing solo albums, the last being 2008's Bad for You Baby.

The 58-year-old Thin Lizzy star, turned successful solo artist, died from a heart attack while holidaying in Spain , in February 2011 [extract from Rolling Stone Issue 713 April 2011 p334]

Gary's Guitar Playing
Moore picked up the guitar at the age of eight, inspired by the music of Elvis Presley, the Shadows and the Beatles. But his strongest influences were John Mayall’s Bluesbreakers guitarists Eric Clapton and Peter Green, as well as legendary electric blues progenitors Albert King, B.B King and Albert Collins.

Another important influence was Jimi Hendrix; Moore would regularly include Hendrix’s slow blues “Red House” in his live shows. Though Moore was often seen playing a beautiful Fiesta Red 1961 Strat, his signature sound is more closely associated with the beloved 1959 Les Paul Standard that he played for many years.

He purchased that guitar from Peter Green in 1970 and, fittingly, used it to record his 1995 tribute to his mentor, Blues for Greeny.

Often, Moore would begin a song using the warm tone of his Les Paul’s neck pickup, with which he would perform melodic, vocal-like lines, then switch over to the bridge pickup for his solos to achieve a more aggressive and biting sound. Moore often employed a fair amount of gain—courtesy of Marshall heads (often JTM45s), 4x12 basketweave Marshall cabinets and Marshall Guv’nor and Ibanez Tube Screamer pedals—and was known for conjuring tremendous sustain, such as the celebrated “endless note” featured in his live performances of his classic song “Parisienne Walkways.” [extract from]
This post consists of MP3's (320 kps)  ripped from CD and includes full album artwork along with a wide range of photos, some of which are featured here.  I have followed Gary ever since I first heard him play with Thin Lizzy and have rated him in my top 10 best axemen.  Although this is not his best live album (see We Want Moore if you really want some kick arse guitar work) it is still a necessary recording to have in your collection.  I have taken the liberty of adding a couple of must have bonus tracks, namely "Parisean Walkways" and "End Of The World", both taken from the 1982 Reading Festival.
Yep, it might be a cliche, but the moore you hear, the moore you want when it comes to Gary Moore.
(Note: The full concert has been released as a bootleg under the title "Hurricane" - see cover above)
01     Rockin' Every Night   
02     Wishing Well   
03     I Can't Wait Until Tomorrow   
04     Nuclear Attack   
05    White Knuckles   
06    Rockin' And Rollin'   
07    Back On The Streets   
08     Sunset
09      End Of The World (Bonus Live)*
10      Parisean Walkways (Bonus Live)*

* Taken from Live At Reading Festival, 1982    

Gary Moore - guitar, vocals
John Sloman - vocals, keyboards
Don Airey - keyboards
Neil Murray - bass
Ian Paice - drums

Moore did the lead vocals on Wishing Well and Back on the Streets while Sloman (ex Lone Star, Uriah Heep) sand lead on Rockin’ Every Night, Nuclear Attack and Rockin’ and Rollin’.  Duties were shared on I Can’t Wait Until Tomorrow and the other two original tracks are instrumentals.
Gary Moore Live In Japan Link (113Mb)

Saturday, December 24, 2016

W.O.C.K On Vinyl - The Spirit Of Christmas (1998)

Before things get too serious
here at Rock On Vinyl, I thought it might be fun to post a song at the end of each month, that could be categorized as being either Weird, Obscure, Crazy or just plain Korny.

Well, another year has nearly passed and the festive season has once again taken hold of the Christian world for the celebration of our Lord Jesus Christ's birth.
OK, so 'The Spirit of Christmas' sometimes gets lost while we prepare for the big day and in the sharing of gifts with loved ones and friends, but deep down we all know why the day is special. 

Yes, it's nice to celebrate with a jolly old fellow called Santa and his reindeer and see the expressions on the kids faces while they unwrap their presents on Christmas morning, but let's ensure that we take time to pay homage to the one person in our lives who died on the cross for us.

Like previous posts of past, I have chosen to post the December 'WOCK on Vinyl' a little earlier than normal, to coincide with the Festive Season. This year I've chosen to make available a CD collection of Christmas tunes sung by an all Aussie cast, released by the Myer / Grace Bros back in 1998 as a fund raiser for the Starlight Foundation. Merry Christmas everyone and take care while traveling on the roads.  

Track Listing
01 - Carol Of The Drum (Christine Anu)
02 - Last Christmas (Human Nature)
03 - Silent Night (Vika & Linda)
04 - Hark The Herald Angels Sing (Judith Durham)
05 - Bethlehem Morning (Hugh Jackman)
06 - Grown-Up Christmas List (Lisa Edwards & Lindsay Fields)
07 - O Christmas Bush (Tania Kernaghan)
08 - Away In A Manager (Olivia Newton John)
09 - You'll Never Walk Alone (John Farnham)
10 - Happy Christmas - War Is Over (Jimmy Barnes)
11 - This Christmas (Deni Hines)
12 - Merry Christmas Baby (Stephen Cummings)
13 - Baby Please Come Home (Diesel)
14 - Here Comes Santa Claus (The Wiggles) 
15 - Little Ray Of Sunshine - 1998 remix (Glenn Shorrock) 

The Spirit Of Christmas (MP3/320kps)


Tuesday, December 20, 2016

Tommy Emmanuel - Up From Down Under (1987)

(Australian 1962 - Present)
Two-time Grammy nominee Tommy Emmanuel is one of Australia’s most respected musicians. The legendary guitarist has a professional career that spans five decades and continues to intersect with some of the finest musicians throughout the world. A household name in his native Australia, Tommy has garnered hundreds of thousands of loyal fans worldwide.

He is undoubtedly Australia's finest ever all-around guitarist. It is also fair to say he is also one of that country's best drummers... and bass players! Tommy began playing guitar at age 5 and touring Australia from age 6 with the Emmanuel Family Band. He has since played throughout Australia with the likes of Stevie Wonder and Bob Marley, recorded with Air Supply, played in Nashville with Chet Atkins, and recorded and toured Australia & Europe with leading Australian group Dragon/Hunter. This gives testimony to Emmanuel's amazing ability and variety of guitar styles, which are further exhibited on his other Artful Balance Records, namely "Artfully Beatles" and on his own debut solo album.

An accomplished finger style player, Emmanuel frequently threads three different parts simultaneously into his material, operating as a one-man band who handles the melody, the supporting chords and the bass all at once.

Tommy’s unique style – he calls it simply “finger style” – is akin to playing guitar the way a pianist plays piano, using all ten fingers. Rather than using a whole band for melody, rhythm, bass, and drum parts, Tommy plays all that – and more – on one guitar. Guitar legend Chet Atkins was one of the first to inspire Emmanuel to try this “fingerpicker” style as a child. Decades later, Atkins himself became one of Emmanuel’s biggest fans.

There’s a science to assembling the parts, and Emmanuel’s technical gift has earned him multiple awards from Guitar Player magazine and made him a Member of the Order of Australia, an honor bestowed by the Queen in his homeland. But the average fan could listen without even considering the precision behind the work, focusing instead on the artful tension and release of Emmanuel’s melodies.
Playing instrumental music that works in any language and travelling nimbly with a small tour group of three – Emmanuel, a sound engineer and a merchandiser – he was able to build a global audience that encompasses not only Australia, but the U.S., the United Kingdom, Europe and Asia.

Tommy Emmanuel is an honorary Kentucky Colonel, a CGP (Certified Guitar Player – a title given by Chet Atkins to only 5 guitarists in the world), an Order of Australia Medalist (AM) and the holder of both an honorary Master’s Degree (MA) and more recently an honorary Doctor of Arts (DR) from Charles Sturt University in Australia in recognition of his commitment to rural Australia and his contribution to music education.

'Up From Down Under' was recorded in 1987 and was produced by Tommy Emmanuel and Rod Tamlyn. It contains many audience favorites including arrangements of the Beatles Lady Madonna, Michelle, and his concert show-stopper, "Inititiation" – dedicated to the Aboriginal peoples of Australia.

While listening to this album, I am reminded of some other brilliant guitarists like Jan Akkerman (Focus and Brainbox), Al Di Meola and John McLaughlin and place Tommy up with the best.  Best tracks on this album are the Up From Down Under, Raindance, Daybreak and Initiation but the remainder are certainly no fillers, each having its place on this rare release from Tommy.

This post consists of both FLACs and MP3's (320kps) ripped from my 'mint' copy, recently acquired at a garage sale where all stock was in pristine condition and the owner was more anal about his record collection than me ! As is the norm, I'm also including full album artwork and label scans along with an autographed CD cover (see below).
This album is not to be missed and is a truly pleasant surprise.
Track Listing 
01. Up From Down Under
02. Raindance
03. Daybreak
04. Lady Madonna
05. Soul Search
06. Michelle
07. Initiation
08. Turning Point
09. Times Change
10. Night Sky

Tommy Emmanuel (Guitar, bass, electric guitars, hand percussion, drums);
Sam McNally (Keyboards);
Graham Jessey (Soprano saxophone)

Tommy Emmanuel FLACs (213Mb)

Tommy Emmanuel MP3's (91Mb)